David was actually forwarded to me by Concept Artist Michel M. Prins. He had previously worked with David on “Hell Hath No Hogie” and referred him over to me so we could talk about what to change and fix with the script.
Jon and Kire (Eric’s nickname) got on board simply because I asked them to. The both of them are some of my best friends. They were thrilled with the opportunity to help with the film and the both of them helped shape the script into something absolutely dazzling in terms of writing.